Music - pink & blue no.1 1918
Soft-edged organic abstracts - TRY IT
Stieglitz Equivalent 1925-30
Cloud photos with GOK shapes
AS
GOK 1920
Face hands arm - artists equipment
Mask with Golden Apple 23
Abstract environment for still life
Lovely palette black Browns yellows
East River 3
26
Abstracting into blocks and planes
East River from 30th floor...
28
Smoothing details
Punctuated by vertical chimneys
John Marin
Downtown NY 23
Watercolour with charcoal TRY IT
big flowers as response to speed of modern life
Rousseau
Jimson Weed/ White flower 1
32
She rejected the erotic dimension - but it's undeniable
Craigie Aitchison
Black cross w stars & blue
29
Reminded of a skull painting I did - my first oil in marroon
From the faraway, nearby 37
Still life superimposed on landscape
Surrealist
Deer horns 38
Bones as organic growing things
Frida Khalo
Red hills & bones 41
Still life w landscape
Advance on From the faraway - reintegrated into ls
Impressionists - serial landscapes
Black place 4
44
Bomberg colours
Paul Nash
Wall with green door 53
Perfect combo of abstract & fig
Pelvis 1 44 *
Pelvis bone hole to create instant abstract
Ansel Adams
GOK & Orville Cox
37
Masculine looking increasingly
Untitled ghost ranch cliff
C43
Pencil & charcoal
Focus on holes
Cracks
Inherently sexual
gorge sketches look like Abram Games cliff print
Adams
Thunderstorm ghost ranch
37
A journey to abstraction from & through landscape
Frames out sky often
Superimposition v Integration
Of bones etc.
Tanguy - shapes
Wall with Green Door *
Hockney - 70s LA buildings
cf Patti Smith, Frida Kahlo
GOK exhibition at Irish Museum of Modern Art, Kilmainham, Dublin
Georgia O’Keeffe: Nature and Abstraction
Nature and Abstraction is a survey of the extraordinary career of the legendary American artist Georgia O’Keeffe. The exhibition comprises some 30 works ranging from 1918 to 1977 and deals with the central concern of her work – the transformation of nature into abstraction. It includes examples of all her main areas of interest, landscape paintings, flower studies and abstract works.
February-May 2007